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Prison Photography
Louis Jacques Daguerre invented a photographic process in France in 1839. Further technical advances, especially from 1851, reduced the exposure time needed to take a photograph and made the production of multiple prints possible. This led to a boom in photographic portraits. It was not long before others began to see how photography could help law authorities around the world improve their administration of criminal justice. A photograph of a person, even a black and white one, gave the viewer more accurate information than did a written description. As the process improved, it influenced nineteenth century scientific studies of man and Darwinism. Darwinism, named after Charles Darwin, was the study of the way different species had evolved (and survived or became extinct) through natural selection. Photography was used to help conduct large scale studies of people in the UK. It was thought you could record, categorize and understand the nature of people through the study of these photographs. People believed that by examining large numbers of these photographs of people they would collect scientific evidence to prove their scientific theories. There was a belief that the camera never lied. Recording the face through portrait photography became a central part of a method of assessing the impact of the great ideas of Victorian society, These ideas included the study of evolution, degeneration and phrenology. The process of photographing criminals to record their identity was well established in Victoria by the 1870s. This practice was linked to the prevailing science of phrenology that tried to determine a person’s character by interpreting facial features, skull size and body shape. Early photographs of prisoners differ little in style and format from those recording social activities or family life. For example, because photography was still an expensive process and people had photographs taken infrequently, usually only on a special occasion, people posed for photographs and looked serious. People rarely smiled in photographs in those times. Photography was used to capture important events, not for everyday family or community occasions. In those times people’s dental health was often poor and they did not want to be photographed to show the state of their teeth, so no smiling was a way to cover this situation up. It was important for the proper administration of the prison system to keep an official record for each prisoner. This was started for a criminal as soon as they entered the prison. By the 1860s the now familiar full-face and profile ‘mug shots’ were more common. On the record for each prisoner was their prison number, details of their lives and a detailed description of their physical appearance. This included tattoos, warts, moles, scars, deformities, and missing limbs - anything that might help the police and prison authorities identify a criminal now and in the future. Understandably, police and prison authorities were quick to realize the advantages of having a picture of a criminal to help with their identification. Prison photos were usually taken full face and in profile. Often the prisoners’ arms were placed resting on their chest with the fingers spread. This way the hands could be used as part of the identification process too. We do not know who took the prison photographs. 監獄照相 從1839年起,攝影的發展成了記錄當代生活的首選方法。 從1851年起,技術的進步使曝光時間縮短,並使多張印相成了可能,使肖像攝影迅速發展。 在這覺醒期,攝影成了全球風行的罪犯司法管理的輔助手段。 1870年代,拍攝罪犯,記錄他們的特徵,在維多利亞被建立。 這一實踐,與性相學,顱相學的科學發展相連,鼓勵根據對一個人的面貌特徵,骨骼尺寸與身材形狀的解讀,以判斷其個性。 早期對囚犯的攝影與記錄社會活動及家庭生活的攝影,在風格與形式上略有不同。 在1860年代,如今廣為熟悉的正面照與側面照被作為證據流行。 遲後一些的攝影顯示囚犯雙手交叉放於胸前。 Activities:
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